Manufacturer's Phone Numbers and Links for Tech, Product and Repair Information

VENDOR LINKS
COMPANY NAME PHONE WEBSITE

Acufine (BKA)

800-621-5488

www.bkaphoto.com

Arri

845-353-1400

www.arri.com

Avenger (Bogen)

212-695-8166

www.bogenphoto.com

Benbo (Paterson)

800-728-6377 x3041

www.patersonphotographic.com

Berg (Satter)

800-728-6377 x3041

www.omegasatter.com

Bergger Paper

815-282-9876

www.bergger.com

Beseler

800-237-3537 x263

www.beselerphoto.com

Bogen

212-695-8166

www.bogenphoto.com

Cabin (Mamiya)

800-462-6492

www.mamiya.com

Cachet (Seagull)

714-432-7070

www.onecachet.com

Domke (Tiffen)

800-728-6377 x3041

www.tiffen.com

Dynalite

800-722-6638

www.dynalite.com

Epson

562-276-4303

www.epson.com

Ethol (BKA)

800-250-8394

www.bkaphoto.com

Fotospeed (Luminos)

914-965-4800

www.hahnemuehle.com

Fuji – Pro Film

800-659-3854 x3145

www.fujifilm.com

Gepe (HP)

800-735-4373

www.hpmarketingcorp.com

Giotto (HP)

800-735-4373

www.hpmarketingcorp.com

Gitzo (Bogen)

212-695-8166

www.bogenphoto.com

Gossen (Bogen)

212-695-8166

www.bogenphoto.com

Gra-Lab (BKA)

937-291-4726

www.bkaphoto.com

Heico (BKA)

800-250-8394

www.bkaphoto.com

Ilford-Chemistry

201-265-6000 x4301

www.ilford.com

Kaiser (HP)

800-735-4373

www.hpmarketingcorp.com

Kalimar (Tiffen)

800-525-4627

www.tiffen.com

Kodak

800-242-2424

www.kodak.com

Konica

800-285-6422

www.konica.com

Lexar

510-413-1200

www.lexarmedia.com

Lightform (Bogen)

212-695-8166

www.bogenphoto.com

Logan-Graphics

800-331-6232

www.logangraphic.com

Lowel

800-334-3426

www.lowel.com

Lowepro

800-800-5693

www.lowepro.com

Lumedyne

800-586-3396

www.lumedyne.com

Luminos-Paper

914-965-4800

www.hahnemuehle.com

Lumiques

800-332-4644

www.lumiquest.com

Mamiya

800-462-6492

www.mamiya.com

Marshall (BKA)

800-250-8394

www.bkaphoto.com

Metz (Bogen)

212-695-8166

www.bogenphoto.com

Omega

800-777-6634

www.satter.com

Paterson

800-728-6377 x3041

www.patersonphotographic.com

Pelican (BKA)

800-473-5422

www.bkaphoto.com

Photoflex

800-486-2674

www.photoflex.com

Photographers Form

.800-922-5255

www.photoformulary.com

Polaroid

800-343-5000

www.polaroid.com

Profoto (Mamiya)

800-462-6492

www.mamiya.com

Reflecta (Bogen)

212-695-8166

www.bogenphoto.com

Rototrim (Bogen)

800-728-6377 x3041

www.bogenphoto.com

Samsonite (Photoco)

800-955-5505

www.photoco.com

Seagull /camera (BKA)

800-250-8394

www.bkaphoto.com

Seal (BKA)

888-240-6021

www.bkaphoto.com

Smith-Victor

800-348-9862

www.smithvictor.com

Solarol (BKA)

800-250-839

www.bkaphoto.com

Stroboframe (Tiffen)

800-728-6377 x3041

www.tiffen.com

Tamrac

800-662-0717

www.tamrac.com

Toyo (Mamiya)

914-347-3300

www.mamiya.com

Tundra (Omega)

800-777-6634

www.satter.com

Ushio

800-838-7446

www.ushio.com

Vanguard

800-875-3322

www.vanguardusa.com

Velbon

800-423-1623

www.velbon.com

Wein (Satter)

800-728-6377 x3041

www.omegasatter.com

Wein Cell

800-359-2878

www.weincell.com

Wista (HP)

800-735-4373

www.hpmarketingcorp.com

Wizard (Mamiya)

800-462-6492

www.mamiya.com

Zonal-Pro (Satter)

800-777-6634

www.satter.com


 
COMMUNITY LINKS for the NORTH BAY:
WEBSITE DESCRIPTION

www.cacsc.org

Sonoma County Cultural Arts Council, art trails, first night, SoFo2 gallery, artists registry, railroad square.

www.lbc.net/smova.html Sonoma Museum of Visual Art

www.pacacad.com

Pacific academy of fine arts, Sebastopol California.

www.santarosa.edu/art/gallery/menu.html

Santa Rosa Junior College Art Gallery

www.sonoma.edu/ArtGallery/default.html

Sonoma State University Art Gallery

www.napaphotos.com

Find a photographer in the Napa Valley.

www.kathleencarr.com

Kathleen Carr, the Polaroid transfer expert, visit for great art, workshops etc.

www.colorfolio.com Fine Art digital printing in Sonoma County, offers printing and workshops.


RESOURCE LINKS:

WEBSITE DESCRIPTION

About Photography and Cameras

www.Photodirectory.ws

Find a lab, rentals, resources, a photograper, or anything Bay Area Photography related.

www.civilwarphotography.com Cool wet plate photography site.
www.Pinhole.com Pinhole photography site.

www.digitaltruth.com

Massive developing chart, tech tips, many many links.

www.photosecrets.com/links.tips.html

Photo links, tips, etc.

home.twcny.rr.com/baddog/holga/

You like Holgas? You want to know more?
www.chemie.unibas.ch/~holder/SX70.html The Hacker's Guide To SX-70 cameras
www.landlist.org The Land List: a comprehensive list of many polaroid cameras.
www.graflex.org Dedicated to promoting the use and preservation of Graflex Speed Graphics and other classic and large-format cameras.
   
Museums and Art Sites
www.MOMA.org Museum of Modern Art
www.museumca.org Oakland Museum
www.legionofhonor.org California Legion of Honor
www.thinker.org Fine Art Museums of San Francisco

www.masters-of-photography.com/

Look at the pictures that made you want to be a photographer.

www.artchive.com cool art site.
http://lcweb.loc.gov/coll/print/guide Library of Congress collection from the Civil War to the WPA and beyond.
www.Sterba.com Local search engine for arts and entertainment
Photography Organizations

www.apanational.com

Advertising Photographers of America (APA)

www.asmp.org American Society of Picture Professional(ASPP)
www.pmai.org Photo Marketing Association International
www.PPA.com Professional Photographers of America, Inc. (PPA)
www.wppi-online.com Wedding and Portrait Photographers INTL (WPPI)

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How To Make Your Amateur Home Darkroom Light Tight


By Sara Sanger
 

If you read a lot of books on how to build a home darkroom, a lot of time and energy are dedicated to construction of the darkroom. For those of us who have to turn a closet, laundry room or bathroom into a darkroom, or if we rent, we really don't have a lot of options for permanent change, and often have to have an easily reversible space. To date I have built several darkrooms in bathrooms, a few in laundry rooms, and my current darkroom is a spare bedroom, which is both a darkroom, small studio space and my office. Aside from the struggle of not having running water in my space, and I have to run to the bathtub for a rinse, the only other battle is making my darkroom light tight.

For a black and white darkroom (and you won't read this in a book), some light leaks can be okay to live with. In your enlarger and tray areas, you will want to make sure that there are no leaks, but cracks under doors on the opposite side of the room, or indirect leaks that can't be seen from your working area can be livable as well. The best test of course is to leave a piece of unexposed paper in your developer for up to 10 minutes and check if it is fogged. As silly as it is, I generally stand in my darkroom and think like a piece of photo paper, and I ask my photo paper self, "Would I be fogged here?"

For a temporary, or weekend darkroom, a bathroom with one window and one door, I cut a dark green felt blanket to a size larger than the door and the window, I then adhered a layer of black plastic to one side. I weighted the bottom of this with small pieces of wood for the door panel, so that it would hang straight. I added small hooks to the top of the door jamb and window trim, and cut holes at the top of the panels to match the hooks. When I wanted to work I would simply hop on a chair hang up my panels and then get printing. If I was working in mid day with a lot of light coming into the house, I would supplement my panels with some gaffers tape around the edges. Generally, I would work in the evening or night to eliminate a lot of problems.

For a more permanent darkroom, I located large pieces of cardboard and cut them to fit into my windows, I then added a layer of black plastic and gaffers taped the plastic to the windowsill. For the door, I did nothing, because it was around a small nook, and doesn't throw any light around that corner if it is completely closed. If I need more protection, I would add a panel similar to the one above. The cardboard worked well, as I could cut holes and add ventilation louveres as I needed them. The only problem is opening and closing windows, but I'm in California so open windows behind cardboard isn't too bad. Removable cardboard or plywood pieces cut to the size of windows with some foam rubber edging, and some handles could be easily wedged into the window and pulled out again.

For film processing, I find that most of these light deterrents actually make the darkroom totally dark. If you find that you still have leaks that may fog film, a film changing bag is handy.

Right now, I have converted my darkroom to be able to handle color printing. I have had to hang another black plastic panel to split my room, because the little lights on my computer will often fog color paper, even from a distance, but with a panel in the way, even just to block my immediate working area has worked just fine.

Supplies:

Black Plastic
Gaffers Tape
Permacel Light Tight Paper Tape
Film Changing Bag
Corrugated Board

 
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